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Come Flames [2​-​sided single]

by HOOFMARK

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1.
Come Flames 02:53
The temple’s lights shut down, the rocks and sand are drowned Darkness spread across the sea And the seagulls sang of old tragedies with the pigeons The bridge stands tall and strong, but listening to that song Makes its iron run weak And from the smallest window he witnessed grand memories Oh come flames, like echoes from a church bell Like glass on skin Won’t you get along? Can your warmness do wrong on these sandy beaches? The caveman heard him say, “You will never see the light of day” And he laughed quite intensely You see, in the end, whatever is you defend there is nothing I can borrow from you But we can always have some fun, huh? Ready? Hey!
2.
Little Town 03:25
An ugly carpet hangs on the wall The bathroom sink is just too damn small But that’s fine Yeah, that’s fine The wood is all just cracks and creaks This room just all kinda stinks Still, it’s mine Yes, still it’s mine Little town, so old and brown All I want to see is ahead of me These roads, they run far and wide Where they lead, what I’ll find I don’t know Don’t wanna know So I’ll follow me ‘till the end With you by my side, old friend It’s been a while Been a long while I'm glad you came Little town, so old and brown All I want to see is ahead of me Little town, so old and brown Since I left you there’s been no way but down Since I left you there’s been no way but down Bottoms up, thrash around! We’re just getting started here, friends. And we’ll see you soon. Hoo-yeh!

about

In both cases the lyrics came first which was kind of a new thing to me at the time. Last year I was on vacation in the northern part of Portugal, in Viana do Castelo, and there was this really tiny room on a fourth floor or something we were staying at. It had a charming little crt television on top of an ancient looking wooden side table and a very small window from which you could see the most beautiful scenery: a number of tile roofed low-rise houses paving the way for a hill dressed in green on top of which rested the stunning Santa Luzia Sanctuary. There had been this big fire in the district the day before (it was fire season) and by dusk the view from the window was shrouded with a densely eerie purple mist – quite the sight. While trying to fall asleep the birds outside chatted furiously as if both confused and angry with it all. The entire thing was remarkable and, perhaps not surprisingly, led to the writing of “Come Flames”. This is a place I want to come back to eventually. Hopefully it will inspire me to come up with something new again.

About a week later we made our way to the south and ended up in the city of Sines (a pretty metal name for a place on earth, I think). Not the most lively of towns, certainly not morally corrupted or reprehensible in any way, just generally uneventful. A good thing if you’re looking for some monotony. Two things stood out for me though: a wonderful, actually old-styled and traditional restaurant with delicious meals and great human beings to boot and a ridiculously kitsch hotel with the smallest bathroom sink I had ever seen in my life. Some rooms even had bidets right at the foot of the beds. Not something you see every day. Put “Little Town” on paper right before we got on the bus for the journey home. The cats were fatter and the house needed some cleaning. All was well with the world.

Nuno
Loures, 7 de abril de 2017

HOOFMARK would like to show its honest appreciation and thanks to Filipa Vargas, Nelson Calvinho, Jiné Lourenço Costa, Sid Camarinha, Vanda Duarte, Hugo Andremon, Jorge Lopes Fernandes, Nuno Fonseca, all the good people of Viana do Castelo and Sines for the inspiration, my family and everyone who supported HOOFMARK’s debut demo.

Listen to Satan Made Me Do It! Shouts to Decayed, Disthrone and Midnite Madness!

Next on the list is an actual LP. Expect some of the purest mixtures of metal and country you have ever listened to or ever will! Keep up with HOOFMARK on facebook at fb.com/hoofmarkofficial, instagram at instagram.com/hoofmark_official, or contact me on hoofmarkofficial@gmail.com. Finally, head over to porchfires.com for a bit of literature.

HOOFMARK is strictly AGAINST nazis, homophobes, transphobes, sexist douchebags and bigots. All narrow-mindedness remains unwelcome!

PS A vinyl version of this single will be made available sometime in the future.

credits

released April 27, 2017

[CREDITS]
Produced, engineered and mastered by Sid at Brugo Studio, Lisbon, Portugal
Acoustic guitar and bass recorded live at Brugo Studio in November 25, 2016
Electric guitar, tambourine and claps recorded in December 9, 2016
Howls recorded in March 11, 2017
All selections composed by Nuno Ramos for HOOFMARK
Acoustic and electric guitars, howls, tambourine and claps performed by Nuno Ramos
Bass performed by Jiné Lourenço Costa
Additional electric guitar performed by Sid
HOOFMARK logo, symbol and illustration by Filipa Vargas
Photograph by Filipa Vargas
Design and layout by Filipa Vargas

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HOOFMARK Lisbon, Portugal

HOOFMARK is myth-making with Blood Red Lullabies


- Logo Design by Giancarlo Melgar (Peru)
- Photo by Ricardo Rodrigues

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